Replicating Identity: A Thought-Provoking Journey in "They Cloned Tyrone"

Cr. Parrish Lewis/Netflix © 2023

"They Cloned Tyrone" is a visually captivating and thought-provoking film that delves into intriguing concepts like cloning, mind control, and societal stereotypes. Directed by Juel Taylor, the movie effectively blends science fiction with social commentary, leaving the audience engrossed in an alternate universe that raises important questions about the power of media and cultural representation.

The film centers around the mysterious cloning of a character named Tyrone and his subsequent discovery of his own identity and purpose. The narrative cleverly echoes the themes of Erykah Badu's song "Tyrone," where the protagonist tells a partner to call Tyrone when the relationship becomes too burdensome. In the film, the concept of cloning ties directly into the idea of seeking escape or resolution from difficult situations, just as the song suggests.The film successfully raises questions about ethics, identity, and the impact of media on society, connecting to Erykah Badu's artistry, which often addresses social issues.

The film effectively captures the theme of "whoever controls the media, controls the mind" as explored by Jim Morrison. The film skillfully weaves in the idea of manipulation and control, prompting viewers to question the sources of their beliefs and thoughts.

The film's use of color saturation creates a distinct visual style, emphasizing the surreal and mysterious aspects of the narrative. The vibrant and bold colors in the alternate universe contrast with the muted tones in the real world, highlighting the stark differences between the two realities. The set design plays a crucial role in building the alternate universe, with attention to detail contributing to its believability.

"They Cloned Tyrone" fearlessly explores the play on stereotypes within the black community, acknowledging the impact of media and pop culture on shaping public perception. The film smartly subverts these stereotypes by presenting characters with depth and individuality, proving that complex and nuanced stories can emerge from any community.

The presence of a Nancy Drew-like character 'Yo-Yo' played by Teyonah Parris adds an exciting layer to the plot, as she becomes a central figure in uncovering the secrets behind the cloning experiment. Her pursuit of the truth provides a compelling investigative aspect to the film, further engaging the audience in solving the intriguing mystery, The dynamic between the main characters, Tyrone, Nancy Drew-like character, and the clone, adds layers of complexity to the narrative. The clone's journey of self-discovery and individuality raises profound questions about identity and the nature of humanity.

The symbolism of certain elements, like the chicken and perm, goes beyond surface-level interpretation. The chicken could represent mass consumerism, while the perm might symbolize conformity and societal expectations. Similarly, the grape juice could signify the artificiality of what we consume, not just literally but also metaphorically in terms of information and media influence.

"They Cloned Tyrone" is a remarkable film that skillfully balances elements of science fiction, social commentary, and character-driven storytelling. An unforgettable cinematic experience that will resonate with both fans of Erykah Badu's music and those seeking a thought-provoking and entertaining film. The exploration of media influence, cultural stereotypes, and identity, coupled with stunning visuals and exceptional performances, make it a standout cinematic experience. This thought-provoking and visually compelling film will linger in the minds of the audience, prompting reflection on the power of media and its impact on society.

They Cloned Tyrone

Director Juel Taylor

Writers Tony Rettenmaier, Juel Taylor

Stars John Boyega, Jamie Foxx, Teyonah Harris

Rating R

Running Time 2h 2m

Genres Action Mystery Comedy

Watch the trailer here

A Man Called O-T-T-O

Cinematography by Matthias Koenigswieser

I had the chance to watch 'A Man Called Otto' on Netflix last night, and boy did I cry. Even if he occasionally irritated me, Tom Hanks' ability to inhabit his character really made the movie. You wouldn't have been able to pay me to live in his neighborhood at the beginning of the film! But when the end drew closer, I was prepared to step in and assist.

As the plot develops, Otto (Tom Hanks), an elderly man who is enraged by the world, is introduced. Otto's actions and attitude were brilliantly captured by director Marc Forster and cinematographer Matthias Königswieser in the opening sequences and throughout the movie. As indicated before, Otto becomes suicidal after the death of his wife, and as a result, he hardens his heart toward any supporting character that is incapable of taking a hint. Over time, when a boisterous new family settles down across the street, Otto challenged by patience and acceptance in exchange for favor and food. Otto is eager to join his wife on the other side but is frequently interrupted in scenes that are either painfully amusing and just plain awful.

The character of Marisol, played by Mariana Trevio, is a joyful but firm mother who works hard to make Otto and her oddball husband Tommy (Manuel Garcia-Ruflo) look good. There are also other residents in the area, including Malcolm (Mack Bayda), a kind transgender teen who was kicked out of his home by his father, Jimmy (Cameron Britton), a fitness freak, and Rueben (Peter Lawson Jones) and Anita (Juanita Jennings), an old friend of Otto's with whom he is no longer on friendly terms. Not to mention the stray cat that for a while no one seemed to know what to do with.

Never once did a flashback that wasn't essential occur as a result of how seamlessly Forster handled the film's transitions between them. He did a fantastic job of slipping in and out of the action to offer us a taste of Otto's former married life. Overall, this film has the potential to make you laugh or cry. It demonstrates to us that every person's suffering and resentment has a cause. and how love and patience can see behind a person's hard exterior to their true self, even when they don't appear to be in need of it.

Director Marc Forster

Writers David Magee, Fredrik Backman, Hannes Holm

Stars Tom Hanks, Mariana Treviño, Manuel Garcia-Ruflo, Rachel Keller, Truman Hanks, Cameron Britton, Mack Bayda

Rating PG-13

Running Time 2h 6m

Genres Comedy, Drama

Watch the trailer here

'The Little Mermaid' review: The Under the Sea Journey of Halle Bailey

Cinematography by: Dion Beebe

Forgive me for taking so long to go watch Disney's live action-'The Little Mermaid'. The undersea journey features a mesmerizing visual extravaganza enhanced by Halle Bailey's incredible performance as Ariel. Although the story and characters in this live-action adaptation of "The Little Mermaid" originally written by Hans Christian Anderson are expanded in crucial ways, it retains the essential elements that audiences enjoyed about the 1989 original which I loved. The story of a mermaid who sets out on a life-changing journey to discover humanity and find true love stirs her curiosity in life outside of her sea of origin. Ariel is a curious and disobedient teenage girl who essentially transitions from being a king's daughter to a prince's wife.

Seeing this in 3D was a treat! This live-action adaptation is superbly done giving that the film's primary flaw is its visual effects. The underwater action frequently appears flat and manufactured in a way that is distant. Not including the "Under the Sea" performance with all the radiant colorful animals of the sea and the choreography capturing sea life, that is delightful. However, it falls short of fully capturing the sensation of being underwater. I will say it was a bit longer than the original so it may be a hassle for parents with little ones sitting still in the theatre. The live-action scenario is particularly challenging for Flounder, played by Jacob Tremblay, especially when we see him above water. However, Dion Beebe and Rob Marshall beautifully preserved the quiet moments of Ariel emerging toward or leaving the sun at the conclusion and opening of each of Ariel's songs.

This Ariel is different from the Ariel I grew up with though, she has more depth and complexity and Halle more than anything fits this role. Growing up I didn't have much representation on screen when it came to Disney princesses, until 'Princess and the Frog' was released. But deep inside me I always wanted to be a little mermaid, during this movie I teared up a few times remembering my favorite songs and plot points.They even included specific lines of speech from the original are given new life by her. Halle's voice is truly out of this world. She is expressive, vivacious, and utterly likable, with a blend of girlish charm and womanly edge.

The supporting actors are something to talk about as well Melissa McCarthy portrayed Ursula fairly well while still being her humors self. At this point, it is imperative to applaud Colleen Atwood for creating the outstanding costumes worn by Ursula, all of the mermaids, King Triton (Javier Bardem), and every cast member in The Little Mermaid. As always, Daveed Diggs is excellent in his role as Sebastian. When 'The Scuttlebutt' Came on I thought for a second I was watching 'Hamilton' and knew Lin-Manual Miranda had to be apart of this creative project.This song in particular was surprising to hear.

Overall, my fondness for the 1989 Little Mermaid, a film I know by heart, is at an all-time high right now. This live-action adaptation was a fun getaway and a wonderful way to relive my youth. Halle Bailey will continue to be #MyLittleMermaid.

Director Rob Marshall

Writers David Magee, John Musker

Stars Halle Bailey, Jonah Hauer-King, Melissa McCarthy, Javier Bardem, Noma Dumezweni

Rating PG

Running Time 2h 15m

Genres Adventure, Family, Fantasy, Musical, Romance

Watch the trailer here

'Missing' Review: From the minds behind Searching comes Missing

Photo by Photo Credit: Temma Hankin/Photo Credit: Temma Hankin - © 2021 CTMG, All Rights Reserved.

Hollywood has made an effort to make screen time feel like a movie as smart phones have taken over so much of our life. Films are now being told through laptop screens and phone screens in movies like 'Unfriended' (2014) and Searching (2018). The trend is continuing with the suspenseful sequel to "Searching," "Missing," except that this time the child is searching for a parent.

Storm Reid plays June, a teenage girl who uses the internet to find her mother (Nia Long) as she never returned from a romantic break to Colombia with her new boyfriend in this tense thriller. The directors and authors, Will Merrick and Nick Johnson, chose to frame their scenes on computer screens, which makes this movie special. All of June's investigation is contained within applications, which she opens with escalating fright.

When her mother and boyfriend don't arrive at LAX as expected, her instincts and years of online expertise truly come into play. As she struggles to communicate with the hotel front desk employee who only knows Spanish. She finds, however, that she can explore this city remotely with the aid of Google Maps and Javi, a Colombian gig worker with a compelling personal narrative (Joaquim de Almeida, who brings a welcoming sense of humor).

By observing June switch between tabs and tap away at her keyboard in the movie's opening scenes, we learn a lot about how she spends her days. She frequently leaves her computer's webcam running, giving us a glimpse inside her bedroom and the way she communicates with real people. Even though June's relationship with her mother isn't the finest, when some of the later circumstances take place, you are certain that her bond and affection for her mother are genuine. Its slightly corny formal element is overshadowed by the imaginative approach and the hectic pace of the storyline, but this movie lacks the originality that made Searching such a hot topic. Reid has a pleasant, engrossing screen presence, and she establishes June's intelligence and sassiness right on.

This film demonstrates how much of our lives may be found online. Every time June uses a new password, accesses a new website, or reads an email, she creates more questions than she can possibly address. "Missing" constantly has us speculating about these characters. You won't regret signing up for it because this kind of rollercoaster ride was built for the movie experience! Log on, relax, and grab your detective hat!

Directors Nicholas D. Johnson, Will Merrick

Writers Nicholas D. Johnson, Will Merrick

Stars Tim Griffin, Ava Zaria Lee, Nia Long, Kimberly Cheng, Storm Reid

Rating PG-13

Running Time 1h 51m

Genres Drama, Thriller

Watch the trailer here

J.Lo Takes Charge In Netflix’s ‘The Mother’

Cinematography by: Ben Seresin

"The Mother" explores the depths of a mother's love. Directed by Niki Caro, an innovative director. The main character of the movie is a seasoned war veteran who finds it extremely difficult to transition from being a strong soldier to becoming a mother who gets caught up in a web of risks and moral uncertainty. A heartbreaking incident that occurs at the beginning of the movie sends the mother (Jennifer Lopez) on a course of revenge and justice, concealing the distinction between right and wrong.

The plot shows she was more than just an average person who gave birth to a child by a criminal before turning him over to the authorities in her prior life as a killer turned FBI informant. After giving birth, the child was later placed in a government protection program and up for adoption. The child, now 12 years old, is being used as a pawn by JLo's former adversaries to draw The Mother out of hiding and into the barrel sights. So the hunt starts, leading to Alaska, where the entire thing predicability comes to an end on snowmobiles

The action scenes throughout this film are effectively choreographed and executed, and the cinematography expertly portrays the tension and raw intensity. The movie's pacing is well-balanced, giving the characters and their relationships ample breaks from the mayhem to grow. The performances by Jennifer Lopez and Lucy Paez, though, make this film entertaining. Lucy Paez was endearing and excelled at carrying the emotional weight of the part. Jennifer Lopez is convincing as a badass, and her minor mannerisms really bring depth to the role. As we all know that Lopez is a fantastic performer who appeals in ways that go beyond technical analysis. Even in low-key, low-stakes film she delivers her A-game, revealing layers of sensitivity beneath her character's hard-shell exterior as the unashamedly out-for-herself dances Ramona in the 2019 Hustlers.

The film was passable all around. There were numerous clichés and lines that I've seen in practically every action film. Both the conversation and the plot were tediously predictable. Though the film has the potential to be entertaining if you go into it with the correct attitude

The Mother

Director Niki Caro

Writers Misha Green, Andrea Berloff, Peter Craig

Stars Jennifer Lopez, Lucy Paez, Omari Hardwick

Rating R

Running Time 1h 55m

Genres Action Thriller

Watch the trailer here